I enjoy a good crime novel, or sometimes even quite a bad one. My most recent read was a novel called Ostseetod (Death on the Baltic) by Eva Almstädt, a popular writer who sets her stories in the North German port city of Lübeck. Some of you will already know that I enjoy spotting scenes that occur in an adult education context, and Ostseetod provides a great, if brief, example.
Lucie Warnke, a middle aged mother married to a furniture dealer, is a dancer by occupation. Because the family live in a small and remote town in Schleswig-Holstein, the opportunities for dancing are few and far between, so she makes a living from teaching local women and children. The passage is set in a morning class, with Lucie (‘for the hundred and fifty thousandth time) telling the women: ‘Chests out, tummies in, legs higher, ladies – higher!’.
The seven participants, we are told, are aged between their mid-20s and mid-60s, and are hoping to stay supple with a mix of dance and gymnastics. Privately, Lucie thinks the class is good but useless for the woman, and imagines herself telling them that they just need to eat less. ‘But this type of class was the bread under the butter that Lucie at present needed’, for not only does she need her own spending money, but her husband charges her rent for the dancing space.
I can’t go much further without spoiling the plot, though that might not matter much to people who don’t read German, as German and Austrian crime fiction – which can be absolutely excellent – is rarely translated; the only exception seems to be Nele Neuhaus. What is interesting here is what adult education does for the novel.
I’ve speculated previously about why adult education classes are such ideal sites for crime writers (read more here). In this brief scene, Almstädt tells us something about two characters: Lucie, with her best years of dancing (and life?) now behind her, and her more-or-less useless husband Florian, as well as the relationship between them. She also communicates something about the local community and its limitations.
Almstädt can assume that her readers will see nothing unusual about a woman earning a few euros by teaching a class in a spare room. Germany has a thriving public adult education sector, as well as a lively voluntary sector. But it is also very common to see opportunities for private educational activities. On a short walk home last night from the football, between the bus stop and my home, I spotted a firm offering yoga classes for busy professionals and a flyer for a series of comedy workshops.
Almstädt belongs to an association of women crime writers called Mörderische Schwestern, the German chapter of Sisters in Crime, which provides mentoring and support for less experienced authors.Now I think about it, Mörderische Schwestern provides a kind of adult education. It surely can’t be long until someone writes a murder story set in their ranks – or perhaps they have already?