Rachel Whiteread is one of Britain’s most ouststanding artists. I first encountered her work in the form of a plaster cast of some bookshelves, a theme she later explored for her Holocaust Memorial in the city of Vienna. I find her work haunting, thought-provoking, and inspiring, so I was thrilled to hear that the Forestry Commission had asked her to produce a WW1 memorial in Dalby Forest.
Whiteread’s memorial takes the form of a Nissen hut, which had been mass-produced for the services as a cheap and quick means of housing the fast-expanding number of recruits. You have to take a bit of a walk to reach it, but for most people a stroll through Dalby will be no great hardship. As you would hope and expect,the result is well worth the effort, and its pristine whiteness will darken as it experiences the wonders of Yorkshire weather.
The irony, though, is that Nissen huts came to Dalby well after the War ended. And when they came, their role was to house not soldiers but young unemployed men who were being ‘reconditioned’, to make them fit for heavy manual labour. Dalby was a work camp, or Instructional Centre, where the Ministry of Labour sent unemployed men to work clearing scrubland and rough pasture in readiness for afforestation.
The Forestry Commission came into being immediately after the Great War ended, and it started work at Dalby – or Allerston as it was originally known, after the village where officials stayed while inspecting the land. The Ministry of Labour approached the Commission in 1933, asking to open a camp on the site for unemployed young men from Whitby and Cleveland. The camp took its first inmates, who came from across Yorkshire, in early 1934, and it continued to run until war approached in 1939.
A 1932 postcard, showing the layout of Dalby work camp
As the postcard shows, the 200 or so inmates were housed in Nissen Huts, each of which held 20 men. The camp also had a sports field, tennis ground, swimming pool, classrooms, sick bay and welfare hut which also served as library and cinema. It was remote, with a long tramp to the nearest piub; one visiting journalist complained that he had to open and close 14 gates on the country lanes to reach the camp.While the inmates were mostly too young to have served in the War, some of the staff had military exerience. After 1939 the huts housed prisoners of war.
Whiteread’s sculpture, as wall as being a fine piece of public art, also serves as an act of public history. Needless to say, if you want to know more about the wider work camp system of which Dalby formed a part, you should just read my book. But even if you don’t, let me encourage you to take a walk in a fine bit of forest.